Summary

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/A Virtuoso's Collection (1854)

It had not escaped me that, though the virtuoso was evidently a man of high cultivation, yet he seemed to lack sympathy with the spiritual, the sublime, and the tender. Apart from the whim that had led him to devote so much time, pains, and expense to the collection of this museum, he impressed me as one of the hardest and coldest men of the world whom I had ever met.
"To despise all things!" repeated I. "This, at best, is the wisdom of the understanding. It is the creed of a man whose soul, whose better and diviner part, has never been awakened, or has died out of him."
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/A Virtuoso's Collection (1854)

You are welcome to your visions and shadows of a future state; but give me what I can see, and touch, and understand, and I ask no more."
"It is indeed too late," thought I. "The soul is dead within him."
Struggling between pity and horror, I extended my hand, to which the virtuoso gave his own, still with the habitual courtesy of a man of the world, but without a single heart-throb of human brotherhood. The touch seemed like ice, yet I know not whether morally or physically.
Source: Wikisource

Portrait of Nathaniel Hawthorne Nathaniel Hawthorne Mosses from an Old Manse/A Virtuoso's Collection (1854)

There are so many greater wonders in the world, to those who keep their eyes open and their sight undimmed by custom, that all the delusions of the old sorcerers seem flat and stale. Unless you can show me something really curious, I care not to look further into your museum."
"Ah, well, then," said the virtuoso, composedly, "perhaps you may deem some of my antiquarian rarities deserving of a glance."
He pointed out the iron mask, now corroded with rust; and my heart grew sick at the sight of this dreadful relic, which had shut out a human being from sympathy with his race.
Source: Wikisource

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