Summary

Portrait of Neith Boyce Neith Boyce The Folly of Others — The Mother (1904)

Martin laughed and blew the smoke of his cigar out into the still air.
They sat late in the dusk, talking now and then in low tones, but silent for long intervals. The crickets and the tree frogs filled in the pauses with their drowsy chirpings. The lilacs and the sweet alyssum breathed out great waves of fragrance. The very air was peace.
When they went in at last she remembered the photographs.
"If you aren't too tired," she added, with a swift glance at his face.
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Portrait of Neith Boyce Neith Boyce The Folly of Others — The Mother (1904)

Sophia blushed furiously and kept her eyes down, but Martin felt certain as soon as his back was turned that she was taking an inventory of him from his gray hair down to the creased trousers of his tweed traveling suit for the subsequent refection of the neighbors. His mother's first words as she joined him on the porch corroborated this intuition.
"Sophia didn't know I was expecting you," she said, with evident satisfaction. "I knew we shouldn't have a minute's peace to-night if the neighbors knew. But they'll all know to-morrow."
Source: Wikisource

Portrait of Neith Boyce Neith Boyce The Folly of Others — The Mother (1904)

It still grew all along the wayside. And beyond over the snake-fences clambered the blackberry vines which he had often despoiled, and the thorny wild-rose bushes, whose pale pink blossoms girls liked and made a fellow tear his hands to pieces to get for them. When he had reached the top of the hill—he thought of it as a hill from habit—and had begun the still more gradual descent on the other side, a light flashed through the dusk below. His heart jumped, for he knew that the lamp had been set in the front-parlor window for him, and he walked on swiftly, his eyes upon it.
Source: Wikisource

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