Summary

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XI. THE SCARRED MAN (1920)

But to my acute disappointment, Martin merely growled, shaking his head gloomily; and in this significant gesture he was closely imitated by Hawkins. Therefore:
"Is he badly disfigured?" I persisted.
"Only one is deep," replied Hawkins, glancing almost apologetically at the landlord. The unfortunate incident seemed to have drawn them more closely together. "The one on his neck. But he prides himself on his looks, don't he, Martin?"
"He do," agreed Martin.
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XI. THE SCARRED MAN (1920)

My effort proved successful, for whilst Martin prepared the ordered drinks, almost with alacrity, Hawkins became quite confidential.
"Young Mr. Edward Hines that was, sir," he confided, in a church whisper. "His father is the biggest farmer round these parts and young Mr. Edward is a terror with the gals, he is. Mind you, he's straight out about it. Comes in here, he do, and says straight out who he's after. And it's woe betide the one who takes him up on it. I'm glad my gal is up to London, with that Mr. Edward about, I am."
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer The Green Eyes of Bast — XI. THE SCARRED MAN (1920)

But:
"Young Harry Adams," explained Hawkins with gusto, and his former wicked look returning to his eyes, "at one time was Mr. Edward's only rival with the gals, he was. A good-lookin' young fellow; got a commission in the war he did. He's up to London now. Well, six months ago young Harry Adams come staggerin' in here one night with blood runnin' from his face and neck. He fell down in that seat where you're sitting now and fainted right off, didn't he, Martin?
Source: Wikisource

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