Summary

Portrait of Nellie Bly Nellie Bly,  Six Months In Mexico — Chapter XXVIII. (1889)

“ But a selection of good oil paintings and French-plate mirrors, all framed in brass, grace their rooms.
The piano is almost universal and occupies some nook by itself; the furniture for the sala is always cushioned and is composed mainly of easy chairs; the sofa—the seat of honor—is placed against the wall beneath some large painting or mirror and a large rug is laid in front. Starting from either end are the easy chairs which form an unbroken circle around the sofa, all thus being able to face it without turning their backs on any one.
”
Source: Wikisource

Portrait of Nellie Bly Nellie Bly,  Six Months In Mexico — Chapter XXVIII. (1889)

“ The Mexicans are all good judges of paintings and many are talented artists; they do not harrow up one's sensibilities with dollar daubs of blue-trees, lavender tinted skies and a mammoth animal with horns and tail, standing on a white streak in the foreground, which (the animal) placed cross-wise, could stand on all fours and never touch water. ”
Source: Wikisource

Portrait of Nellie Bly Nellie Bly,  Six Months In Mexico — Chapter XXVIII. (1889)

“ A parlor, or sala, is found in every private Mexican house, but until within the last two years there was not a hotel in the republic that had a parlor. Boarders entertained their friends in their bedrooms—and this is yet considered quite the proper thing to do. Some of the hotels now advertise as Americanos on the strength of having a little parlor. Calling or visiting is quite uncommon, as there is no society, and little sociability outside their home doors, yet occasionally relatives call o on one another ”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature