Summary

Portrait of Bryson Burroughs Bryson Burroughs The Metropolitan Museum of Art Bulletin (1913)

A shepherd sleeps under a tree, his sheep grazing near and a sheep dog curled up beside him. Two peasants are awkwardly dancing on the grass, and two others walk side by side, their heads close together in the earnestness of their talk. The retinues of the kings wait in the open country. Heralds from one party stationed in a hollow between two fields hail the emissaries of another as they ride along the road with their dogs. The third company is farther away on the summit of a hill. All are gaily dressed and carry spears or banners and ride gallant horses.
Source: Wikisource

Portrait of Bryson Burroughs Bryson Burroughs The Metropolitan Museum of Art Bulletin (1913)

Works like the Prado Adoration, with which our painting may be classed, show Bosch's realistic tendencies—his love of the landscape of his own country with its humble or picturesque incidents and the appreciation of character in the life he was accustomed to. The pursuit of these things leads him away from the unified sacramental arrangements of his academic ancestors towards a system of composition where each group or figure calls for its special examination, and each part of the panel has an interest for its own sake alone.
Source: Wikisource

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