Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

THE PAINTER ANTONIO VINIZIANO. [1]
[Flourished in the second half of the fourteenth century.]
Many men, who would gladly remain in the country of their birth, being wounded by the tooth of envy, or oppressed by the persecutions of their fellow-citizens, wander forth to some land, where their talents being acknowledged and appreciated, they there make their home, thus choosing a new country, wherein they then bring forth the fruits of their genius.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

A ship, which Antonio painted in this picture, was also the cause of great marvel in those times: this vessel, being assailed by a storm, is saved from shipwreck by the saint; the movements of the mariners, with all the proceedings customary on the occurrence of such accidents, being represented with much spirit. Some cast the precious merchandise, which they have procured by so many fatigues, without one thought of its value, to the insatiable deep; others hurry to the different cares required by their bark, which is in danger of being dashed to pieces
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

In the first part of the work executed by Antonio, is the saint embarking on shipboard to return to Pisa, and accompanied by a large number of persons, all admirably painted. Among these figures is the portrait of Count Gaddo, who had died ten years previously, and that of Neri his uncle, who had been Lord of Pisa. But perhaps the most remarkable of these figures is that of a demoniac: every feature betrays madness; the movements of the body, the glaring eyes, the distorted mouth, displaying its hard-set teeth
Source: Wikisource

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