Charles Winston

Summary

Charles Winston Archaeological Journal (1845)

Whenever a glass painting, although in other respects perfect, appears to bag, or bulge out in places, that is a symptom that its leading requires reparation or renewal. If the latter, the restoration ought to be most carefully conducted. The pieces of glass of which it is composed should be retained in their original positions, and the forms of the ancient lead-work preserved as much as possible. When the work is complicated, it is better to have it re-leaded by a regular glass painter, than to trust it to the tender mercies of an ignorant glazier
Source: Wikisource

Charles Winston Archaeological Journal (1845)

That glass painting during the middle ages, and for some time afterwards, was almost universally practised by artists in no wise inferior in skill to their cotemporaries in other branches of art, we need only refer in proof to existing examples. We will venture to assert that it will be extremely difficult, if not impossible, to point out any ancient glass painting, whatever may be its age, or subject, that is totally devoid of artistical feeling, and propriety of taste. Every ancient glass painting in general bears the stamp of originality
Source: Wikisource

Charles Winston Archaeological Journal (1845)

Painted glass loses so much of its interest and value, in every point of view, when removed from its original situation, that a collection of fragments from various places into one window, with a view to their better preservation, is a measure, which, however laudable on account of the motive, should not be resorted to except in an extreme case. We cannot, however, be too grateful to those who, actuated by this spirit, at a time when these things were treated with greater neglect than at present, formed such collections, and thus have been the means of preserving to us much old glass.
Source: Wikisource

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