Summary

Portrait of Willard Huntington Wright Willard Huntington Wright Misinforming a Nation — Chapter VI: Non-British Painting (1917)

If the same kind of panegyrics which characterize the biographies of the British painters in the Encyclopædia Britannica were used in dealing with the painters of all nationalities, there could be made no charge of either unconscious or deliberate injustice. But once we leave Great Britain's shores, prodigal laudation ceases. As if worn out by the effort of proving that Englishmen are pre-eminent among the world's painters, the editors devote comparatively little space to those non-British artists who, we have always believed and been taught, were the truly significant men in painting.
Source: Wikisource

Portrait of Willard Huntington Wright Willard Huntington Wright Misinforming a Nation — Chapter VI: Non-British Painting (1917)

But when these unprejudiced accounts are interspersed with the patriotic and enthusiastic glorifications of British art, the only conclusion which the uninformed man can draw from the combination is that the chief beauties of modern painting have sprung from England — a conclusion which illy accords both with the facts and with the judgment of the world's impartial critics.
Source: Wikisource

Portrait of Willard Huntington Wright Willard Huntington Wright Misinforming a Nation — Chapter VI: Non-British Painting (1917)

An American desiring adequate information concerning the painters or sculptors of his own country will seek through the Encyclopædia Britannica in vain. If he is entirely ignorant of æsthetic conditions in America and depends on the Encyclopædia for his knowledge, he will be led to inaccurate conclusions. The ideas of relative values established in his mind will be the reverse of the truth, for he cannot fail but be affected by the meagre and indifferent biographies of his native painters, as compared with the lengthy and meticulous concern with which British painters are regarded.
Source: Wikisource

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