Octave Thanet

Octave Thanet

Summary

Portrait of Octave Thanet Octave Thanet The Missionary Sheriff (1897)

There is nothing so beautiful, so exciting, so infinitely interesting, as to love. To be loved is a pale experience beside it, being, indeed, but the mirror to love, without which love may never find its beauty, yet holding, of its own right, neither beauty nor charm. Amos had accepted Ruth’s kindness, her sympathy, her goodness, as he accepted the way her little white teeth shone in her smile, and the lovely depths of her eyes, and the crisp melody of her voice—as windfalls of happiness, his by kind chance or her goodness, not for any merit of his own.
Source: Gutenberg

Portrait of Octave Thanet Octave Thanet The Missionary Sheriff (1897)

Yet during Sheriff Wickliff’s administration, while Joe Raker kept jail and Mrs. Raker was matron, window-gardens brightened the grim walls all summer, and chrysanthemums and roses blazoned the black bars in winter.
Above the jail the street is a pretty street, with trim cottages and lawns and gardens; below, the sky-lines dwindle ignobly into shabby one and two story wooden shops devoted to the humbler handicrafts. It is not a street favored [4] by processions; only the little soldiers of the Orphans’ Home Company would choose to tramp over its unkempt macadam.
Source: Gutenberg

Portrait of Octave Thanet Octave Thanet The Missionary Sheriff (1897)

Because a man works with the sun instead of a brush or a needle, can’t he create a picture? And do you suppose a photographer can’t hunt for the soul in a sitter as well as a portrait-painter? Can’t a photographer bring out light and shade in as exquisite gradations as an etcher? Artist! Any man that can discover beauty, and [113] can express it in any shape so other men can see it and love it and be happy on account of it—he’s an artist! And I don’t give a damn for a critic who tries to box up art in his own little hole!
Source: Gutenberg

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