John Ames Mitchell

John Ames Mitchell

Amos Judd (1895)

Summary

Portrait of John Ames Mitchell John Ames Mitchell,  Amos Judd (1895)

“ Judd had never seen, even in pictures. After looking more carefully at the miniature and then up into the eyes that were watching hers, she found the same square forehead and sensitive mouth, and the same dark melancholy, heavily fringed eyes, by far the most beautiful she had ever seen. The picture in her hand was a truthful portrait of himself. As she looked from the portrait into the face before her she felt it was perhaps fortunate this mother was ignorant of the changes that already had turned the current of his life. ”
Source: Gutenberg

Portrait of John Ames Mitchell John Ames Mitchell,  Amos Judd (1895)

“ Maybe the drowsy air of this ancestral garden with its perfume of familiar flowers made his sleep more heavy, or was it the thrum of gentle fingers upon a mandolin in a distant corner of the garden, mingling with a woman’s voice?
Whatever the cause, it produced a shock, this being summoned back to America, to exile, and to the hair-cloth sofa by the voice of Mrs. Judd announcing dinner; for the step was long and the change was sudden from the princely pleasure garden to the Puritan parlor, and every nerve and fibre of his Oriental heart revolted at the outrage.
”
Source: Gutenberg

Portrait of John Ames Mitchell John Ames Mitchell,  Amos Judd (1895)

“ She fanned herself rapidly as if to drive away a most becoming color that had taken possession of her cheeks. Her breath came quickly, the string of pearls upon her neck rising and falling as if sharing in the general joy. With her long throat, her well-poised head, and a certain dignity of unconscious pride she might be described as old-fashioned from her resemblance to a favorite type in the portraits of a century ago. Perhaps her prettiest feature was the low, wide forehead about which the hair seemed to advance and recede in exceptionally graceful lines. ”
Source: Gutenberg

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