Octavus Roy Cohen

Octavus Roy Cohen

Summary

Portrait of Octavus Roy Cohen Octavus Roy Cohen,  Fame and Fortune (1916)

“ One and all, they were unstinted in their praise over Dolly Veerden's work, although they never failed to give the famous Billy Parrish his share of acclaim.
And so it was that the booking-agent brought them in for five weeks in the New York houses, opening in a good position on the Palace bill.
New York is satisfied with good vaudeville, and an act which makes a great appeal must be of infinite novelty, faultlessly produced, and quick-moving. If the reception given by an audience is any criterion, Parrish & Veerden had the best act which had played the Palace in weeks.
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Source: Wikisource

Portrait of Octavus Roy Cohen Octavus Roy Cohen,  Fame and Fortune (1916)

“ The manager stared grinningly at the well set-up figure of the young man.
"I'm thinking," muttered Pete, "that Dolly's gonna graduate into the Big Time sooner'n she thinks. And not as a single, either."
BILLY PARRISH was that rarest of all things in the vaudeville world—a comedian with a personality. "Artists" who had played with him week in and week out told marvelous tales of his ability to awaken a dead audience without speaking a word.
”
Source: Wikisource

Portrait of Octavus Roy Cohen Octavus Roy Cohen,  Fame and Fortune (1916)

“ You've got the real stuff too. I haven't been watching you critically all week without seeing that. But you're crude; you need polish. And I think I'm the guy that can give it to you. I got a friend in New York who specializes on two-acts. He's live and up-to-date. I'll write him to-morrow from Lincoln to get busy on a two-act for you and me—plenty of breezy patter, with us dividing the laughs about two-third and one-third, me taking the long end on account of my experience. If you make good, we'll make half-and-half later. ”
Source: Wikisource

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