Octavus Roy Cohen

Biographical details

Portrait of Octavus Roy Cohen Octavus Roy Cohen The Last White Line (1925)

It was certain that they were destined to meet—body crashing against body ... and the Markham quarter was a deadly tackler. One finger on a man, and that man was down. More than one flashy broken field runner had learned to dread this man’s vaulting, steel-like body.
The stands were hushed. In this single magnificent moment victory was to be decided: a clean tackle meant victory for Markham—a failure meant a touchdown and glory for Woodland. In all that gathering of twenty thousand there were only two persons who counted: Dolly Parker and the flying quarterback of the Markham team.
Source: Wikisource

Portrait of Octavus Roy Cohen Octavus Roy Cohen Midnight

Leverage's logic was irrefutable. And finally Carroll rose to his feet and slipped into his heavy overcoat. Leverage's eyes were turned kindly upon him.
"Where are you going, David!"
"I'm going to play my last trump. If it doesn't uncover something—I throw up my hands. Laugh at me if you will, Eric—rail at me for being chicken-hearted, for playing hunches too strongly—but I have an idea that Mrs. Lawrence did not kill Warren. Don't ask me how or why? I don't know—I admit that frankly. But I've always banked on my knowledge of human nature, Leverage—and my instinct has never yet betrayed me.
Source: Gutenberg

Portrait of Octavus Roy Cohen Octavus Roy Cohen The Question Mark (1924)

He found Morgan in the rather too luxuriously furnished living room. At sight of the large, pudgy man in his flowered dressing gown, a cigarette held loosely between pursy lips, colorless eyes blinking at him over the top of an evening newspaper, McBride's original sensation of disgust and unappeasable outrage came again upon him, and he knew that he was glad he had undertaken the task immediately before him.
Morgan too was well-born; he too was a bachelor, a member of good clubs, but he was a thorough rotter. Men despised and women feared him.
Source: Wikisource

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