Octavus Roy Cohen

Octavus Roy Cohen

Summary

Portrait of Octavus Roy Cohen Octavus Roy Cohen Six Seconds of Darkness — Chapter X (1918)

True enough; but isn’t it likely that a man who has always led a sedentary life, and then is suddenly gripped in a deadly fight with another man, should be somewhat surprised when at the climax the lights are suddenly extinguished, two shots—or one—fired, and then the room suddenly bathed in light again? Imagine yourself in that predicament; can’t you visualize the scene—the surcharged tenseness of it, the fierce, emotional strain— your dazed attitude when the lights went on. And then the shot, and you sink to the floor.
Source: Wikisource

Portrait of Octavus Roy Cohen Octavus Roy Cohen Six Seconds of Darkness — Chapter X (1918)

Hartigan lied to us when he told his first story; he admitted it when he came in to see us at headquarters with his carefully thought-out revision. Rollins found Hartigan unconscious behind that screen; he found in his pocket a revolver from which one shot had been fired. His deductions were absolutely logical. Why should we believe every detail of the crook’s story?”
“We shouldn’t,” said Carroll simply. “We shouldn’t believe any one’s story—even that of Miss Duval.”
Source: Wikisource

Portrait of Octavus Roy Cohen Octavus Roy Cohen Six Seconds of Darkness — Chapter X (1918)

From the very way he handled the gun it was self-evident that he is not used to firearms. Why, then, suppose that his aim was so deadly accurate that he hit his target even in the dark? Revolver shooting is a difficult art at best, and it would be stretching one’s credulity to believe that he hit the man he was firing at, especially as Hartigan—so he says—had meanwhile snapped off the lights.
“But it is certain that he fired. Where, then, did his bullet go? Here.” He took his stand on the spot where Badger had stood and clutched the revolver in two hands, waving it as Badger had done.
Source: Wikisource

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