Summary

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

Not a breath stirred the birches and mountain-ash of the Scout; and the blue-flowering teazel-thistles, that the fullers set in iron frames for the raising of a nap on their cloth, stretched up the steep hillside like a dusty, slaty, ethereal bloom.
Arthur Monjoy had taken a small house in Horwick, but every night he was over the moor, and, until he should cease his setting out at nightfall and returning at daybreak, Cicely remained in her father's house. Eastwood Ellah, who for a week after the wedding had slept none knew where, had returned.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

You say you can't look on your own blood. Stand off, then, for I'll cut a vein with the shears if you don't!”
He drew his hand quickly away at her menacing gesture, and she sprang back, the teazels plucking at her skirt. She breathed tumultuously, but her lips were closed, and as she retreated through the spiny teazels he began to advance again. Two or three ash-trees were behind her, but she did not dare to run for their shelter. Suddenly with all her force she began to call, “Arthur! Arthur!” Ellah plunged forward through the blue mist of bloom.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

Pim's reply; and then Pim lifted up his voice on high.
“What do I hear? A woman's voice?” he cried. “A woman's voice, and at my own door! Be off, ye baggage; be off wi' your nasty merchandise, d'ye hear? Be off, ye wicked light woman! Be off, and leave saints and godly men i' peace! Be off! ...”
—And, in whatever kind Pim o' Cuddy subsequently paid for his prank, it remained doubtful whether at the bottom of his erring and naughty heart he ever really rued it.
Word came that John Raikes was short of teazel-heads, and Cicely prepared to cut them.
Source: Wikisource

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