Summary

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

SKELF-MARY.
A wise man loves the ocean,
A good man loves the hills.
I. With the wearing on of the afternoon, the flat, treeless country to which for half a day I had steadily dropped had but increased in monotony, and long before nightfall I had begun to weary for other company than that of my own meditations. The road, of a reddish gravel, had begun to cross, by wooden bridges, innumerable drains and channels and narrow waterways
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

Six feet within, in a huddle of blankets on the floor, lay the form of the Master of Skelf; I had to glance at the empty bed to realise it. One taper was overturned by his side, but the other showed the heavy poker that had been the cause of the knocking. The servant moaned that he had not dozed—had not dozed; but I know not how else the Master could have found opportunity, as he had found strength in his extremity (acting on who knows what revelation of his mad brain) to rise from his bed, reach the other end of the library, and to prise up a plank from the floor.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Back o' the Moon, and Other Stories… (1906)

The Master of Skelf-Mary, I gathered, was all but bed-ridden, and in very ill fame with such as read their Bibles (but that might have been because he had turned the chapel of the mansion into a library) ; but my friend was sensible, and careful to assign to others certain tales of devils and familiars and voices that servants, with their ears at the rosewood door of the library, had heard o' nights.
Source: Wikisource

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