Carl Gottlieb Samuel Heun

Carl Gottlieb Samuel Heun

Summary

Portrait of Carl Gottlieb Samuel Heun Carl Gottlieb Samuel Heun Blackwood's Magazine (1828)

Hearing no noise within, I grasped my sabre more firmly, and, clenching my teeth in angry and bitter determination to unravel, at all risks, this tissue of mysteries, I placed my only remaining taper on the ground, to preserve it from sudden extinction, pulled the door, which opened outwards, and stepped into the armoury, when, behold! by the faint light of two small lanterns, I saw the towering figures of Bruno and Gotthard, in panoplies of steel, and beavers down, crossing their long swords to renew the combat.
Source: Wikisource

Portrait of Carl Gottlieb Samuel Heun Carl Gottlieb Samuel Heun Blackwood's Magazine (1828)

Turning round, I saw a faint gleam of light shoot athwart the deep gloom of this long passage, and with inexpressible astonishment I beheld the iron door of the armoury gradually opened, and the lofty figure of a knight in complete armour, issue from it, with a naked sword in one hand, and a small lantern in the other, which he held up as if to explore the intense darkness of the corridor.
Source: Wikisource

Portrait of Carl Gottlieb Samuel Heun Carl Gottlieb Samuel Heun Blackwood's Magazine (1828)

I accompanied the nuns to the sepulchre, and, after they had sung the requiem, I was kneeling in silent prayer against the sarcophagus, when suddenly, the brazen gates of the vault were shaken with a giant’s grasp——I beheld the figure of a colossal woman in white garments on the outside—and a voice shrieked “Cecilia! Cecilia!” in tones so wild and unearthly, that the nuns in terror dropped their tapers, and we fled into the inner vault, pulling the heavy door after us with a shock, which reverberated like thunder, and greatly increased our alarm.
Source: Wikisource

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