Oliver Onions

Oliver Onions

Summary

Portrait of Oliver Onions Oliver Onions Widdershins — Io (1911)

She knew in her soul that, once over that terrible edge, the Dream would become the Reality and the Reality the Dream. She knew nothing of the fluidity of the thing called Personality—not a thing at all, but a state, a balance, a relation, a resultant of forces so delicately in equilibrium that a touch, and—pff!—the horror of Formlessness rushed over all.
As she hesitated a new light appeared in the chamber. Within the frame of the small square window, beyond the ragged line of the chimney-cowls, an edge of orange brightness showed. She leaned forward.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — Io (1911)

The room he entered had a low sagging ceiling on which shone a low glow of firelight, making colder still the patch of eastern sky beyond the roofs and the cowls and hoods of chimneys framed by the square of the single window. The glow on the ceiling was reflected dully in the old dark mirror over the mantelpiece. An open door in the farther corner, hampered with skirts and blouses, allowed a glimpse of the girl's bedroom.
The young man set the paper bag he carried down on the littered round table and advanced to the girl who sat in an old wicker chair before the fire.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — Io (1911)

Ed asked, stopping in his buttering of bread.
"Eh?... No."
In answering, her head had turned for a moment, and she had seen him. Suddenly it struck her with force: what a shaving of a man he was! Desk-chested, weak-necked, conscious of his little "important" lip and chin—yes, he needed a Polytechnic gymnastic course! Then she remarked how once, at Margate, she had seen him in the distance, as in a hired baggy bathing-dress he had bathed from a machine, in muddy water, one of a hundred others, all rather cold, flinging a polo-ball about and shouting stridently.
Source: Wikisource

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