Summary

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

And since he could say of Romilly what for very shame he could not say of Elsie, he gave his thoughts rein. He did so in that smiling, fire-lighted room, to the accompaniment of the faintly heard tap.
There was no longer any doubt about it; he hated the central character of his novel. Even as he had described her physically she overpowered the senses; she was coarse-fibred, over-coloured, rank. It became true the moment he formulated his thought; Gulliver had described the Brobdingnagian maids-of-honour thus: and mentally and spiritually she corresponded—was unsensitive, limited, common.
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Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

True, he had read his writings to her and she had appeared to speak comprehendingly and to the point; but what can a man do who, having assumed that another sees as he does, is suddenly brought up sharp by something that falsifies and discredits all that has gone before? He doubted all now.... It did for a moment occur to him that the man who demands of a friend more than can be given to him is in danger of losing that friend, but he put the thought aside.
Again he ceased to think, and again moved his finger to the distant dripping of the tap....
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

IV As Oleron sat by his fire that evening, pondering Miss Bengough's prognostication that difficulties awaited him in his work, he came to the conclusion that it would have been far better had she kept her beliefs to herself. No man does a thing better for having his confidence damped at the outset, and to speak of difficulties is in a sense to make them.
Source: Wikisource

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