Summary

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

Beams settled with a tired sigh into their old mortices; creatures ticked in the walls; joints cracked, boards complained; with no palpable stirring of the air window-sashes changed their positions with a soft knock in their frames. And whether the place had life in this sense or not, it had at all events a winsome personality. It needed but an hour of musing for Oleron to conceive the idea that, as his own body stood in friendly relation to his soul, so, by an extension and an attenuation, his habitation might fantastically be supposed to stand in some relation to himself.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

Perhaps the mildness of the spring air operated on its torpid old timbers; perhaps Oleron's fires caused it to stretch its old anatomy; and certainly a whole world of insect life bored and burrowed in its baulks and joists. At any rate, Oleron had only to sit quiet in his chair and to wait for a minute or two in order to become aware of such a change in the auditory scale as comes upon a man who, conceiving the midsummer woods to be motionless and still, all at once finds his ear sharpened to the crepitation of a myriad insects.
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

She had been nursing her injured hand, with her eyes once more closed; but her lips and lids quivered simultaneously. Her voice shook as she spoke.
"I can't help saying it, Paul, but you are so greatly changed."
"Hush, Elsie," he murmured soothingly; "you've had a shock; rest for a while. How could I change?"
"I don't know, but you are. You've not been yourself ever since you came here. I wish you'd never seen the place. It's stopped your work, it's making you into a person I hardly know, and it's made me horribly anxious about you.... Oh, how my hand is beginning to throb!"
Source: Wikisource

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