Summary

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

Oleron had known a good deal about such things in his time, but all that was now past. He had at last found a place which he did not intend to leave until they fetched him out—a place that some might have thought a little on the green-sick side, that others might have considered to be a little too redolent of long-dead and morbid things for a living man to be mewed up in, but ah, so irresistible, with such an authority of its own, with such an associate of its own, and a place of such delights when once a man had ceased to struggle against its inexorable will! A novel?
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

He was suddenly wondering whether he dared go into the kitchen. It was such a frightfully long way; no man knew what horror might not leap and huddle on his shoulders if he went so far; when a man has an overmastering impulse to get back into bed he ought to take heed of the warning and obey it. Besides, why should he go? What was there to go for? If it was that Bengough creature again, let her look after herself; Oleron was not going to have things cramp themselves on his defenceless back for the sake of such a spoilsport as she!...
Source: Wikisource

Portrait of Oliver Onions Oliver Onions Widdershins — The Beckoning Fair One… (1911)

The lost must remain lost. Humanity has other business to attend to.
For the handwriting of the two letters that Oleron, stealing noiselessly one June day into his kitchen to rid his sitting-room of an armful of fetid and decaying flowers, had seen on the floor within his door, had had no more meaning for him than if it had belonged to some dim and faraway dream.
Source: Wikisource

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