Dashiell Hammett

Dashiell Hammett

Summary

Portrait of Dashiell Hammett Dashiell Hammett,  Ruffian's Wife (1925)

“ Margaret’s helplessness turned contempt in on herself. The very bitterness of that contempt drove her to attempt to justify, recapture some fragment of her pride in Guy. After all, what knowledge had she of his world? What standards had she with which to compute its values? Could any man win every encounter? What else could Guy do under Doucas’ pistol?
The futility of the self-posed questions angered her. The plain truth was she had never seen Guy as a man, but always as a half-fabulous being. The weakness of any defense she could contrive for him lay in his needing a defense.
”
Source: Wikisource

Portrait of Dashiell Hammett Dashiell Hammett,  Ruffian's Wife (1925)

“ Guy bellowed out, an animal noise without meaning.
A chair slammed to the floor. Feet shuffled, stamped, scuffed. Grunts punctuated snarls.
Concealed by night, the two men and what they did became for the first time real to Margaret, physically actual. They were no longer figures whose substance was in what they did to her pride. One was her husband, a man who could be maimed, killed. Doucas was a man who could be killed. They could die, either or both, because of a woman’s vanity. A woman, she, had flung them toward death rather than confess she could be less than a giant’s wife.
”
Source: Wikisource

Portrait of Dashiell Hammett Dashiell Hammett,  Ruffian's Wife (1925)

“ How conceivably could Guy—her hard-bodied, hard-nerved Guy, to whom violence was no more than addition to a bookkeeper—be harmed by a perfumed asthmatic fat man? Whether Guy slept or Guy woke if Doucas came as an enemy, then so much the worse for Doucas—a flesh-bound house-dog growling at her red wolf of a husband!
She jumped up from her chair and began to bustle with toaster and coffee pot. Leonidas Doucas was put out of her mind by the news he had brought. Guy was coming home. The fat man in black had said so, speaking with assurance.
”
Source: Wikisource

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