Sax Rohmer

Sax Rohmer

Summary

Portrait of Sax Rohmer Sax Rohmer,  The Cardinal’s Stair (1917)

“ He saw, vaguely, as through a haze of visible, contending thought, the eyes of Margaret Orme fixed upon him. Her sweet voice spoke:
“Please do not think that this is any prearranged theatrical effect! Believe me, I had no idea he was in the chapel!”
“He? Who?”
“It is only Lycius, the Greek boy of whom I spoke. He is a wonderful musician—too wonderful. Under his touch the organ breathes with the voice of heaven.”
Her own voice was softer than he yet had heard it.
“The Cardinal is with him to-night,” she said strangely.
”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  The Cardinal’s Stair (1917)

“ Women who write can but rarely pass the simplest beauty-test, even by candlelight. That is an accepted dogma of journalism.
He now saw that a great bowl of roses was upon the table, that vases and pots of roses stood all about the room. Margaret Orme talked gayly, and she talked well. She smiled, and her smile was dazzling. She was happy—and natural.
He had anticipated something quite different. Of all the newspaper men who had sought it, Grainger Barton alone had won the consent of the authoress to an interview.
”
Source: Wikisource

Portrait of Sax Rohmer Sax Rohmer,  The Cardinal’s Stair (1917)

“ She inhabited a tiny but wonderful house in the midst of a garden, formerly that of a monastery; and being possessed of fabulous wealth, she had surrounded herself with objects of art and antique treasures said to represent a huge fortune. She was deeply versed in the occult sciences. She was the chosen priestess of a new religion of wisdom.
So spake Rumor’s busy tongue. Now, amid a very wilderness of flowers, this man of the luminous, watchful eyes found himself partaking of a dainty dinner with the much-discussed Margaret Orme—alone. She was young and beautiful and gay.
”
Source: Wikisource

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