Candelabrum

Definition and stakes

Arthur Hayden,  Chats on Old Sheffield Plate

“ The candelabrum illustrated has a stand consisting of three tapering legs reeded, and ending in claw feet. This supports an urn which in its turn supports another, which latter can be used as a light. From the lower urn proceed three branches, spread out in triangular manner.
A later candelabrum with two arms and centre light, illustrated (p. 121) betrays every sign of bad design. The floral scroll work is hard and offensive. The leaf and shell ornament at base is equally unsatisfactory. It was this form that survived as it came on the threshold of the era of illumination by coal-gas.
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Source: Gutenberg

Portrait of Émile Zola Émile Zola,  The Rush for the Spoil (La Curée…

“ At either end of the table were some vases also containing bunches of flowers; two candelabra matching the centre group, and each consisting of a satyr in full flight bearing on one arm a swooning woman, whilst with the other he grasped a ten-branched candelabrum, added the bright light of their candles to the radiance of the central chandelier. ”
Source: Gutenberg

Leonard Williams,  The Arts and Crafts of Older Spain…

“ Undoubtedly the use of the Roman candelabrum was continued by the Spanish Visigoths. “Candelabrum,” says Saint Isidore, “a candelis dictum, quasi candela feram, quod candelam ferat” (Originum, book xx., chap. x.) . The Spanish word candela is loosely used to-day for almost any kind of light or fire, or even for a match; but an ordinary candle is generally called a vela or bugía (bougie) . ”
Source: Gutenberg

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