Summary

Portrait of Émile Zola Émile Zola The Rush for the Spoil (La Curée…

A servant had just brought him from the railway station, and he was in the large drawing-room, delighted with the gilding of the furniture and the ceiling, completely happy at sight of this luxury amid which he was going to live, when Renée, returning from her tailor's, swept in like a gust of wind. She threw off her hat and the white burnous which she had placed upon her shoulders to shield her from the cold, which was already keen; and she appeared before Maxime—stupefied with admiration—in all the glow of her marvellous costume.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Rush for the Spoil (La Curée…

Paris, quite unaffected by a war so far away, was launching with more ardour than ever into speculation and women; whilst Saccard stood by gnawing his fists as he assisted at this ever increasing mania which he had long before foreseen. The hammers in the gigantic forge beating the gold upon the anvil made him quiver with rage and impatience. His intelligence and his will were worked up to such a pitch that he lived as in a dream, like a somnambulist walking along the edge of a roof a prey to some fixed idea. He was therefore surprised and annoyed one evening to find Angèle ill and in bed.
Source: Gutenberg

Portrait of Émile Zola Émile Zola The Rush for the Spoil (La Curée…

In the tepid darkness, nothing but a noise of dancing—a long lullaby. She thought she could hear in the distance the marchioness's laughter and Monsieur de Saffré's clear voice. Then the drama was ended? Her crime, the kisses in the large grey and pink bed, the wild nights in the conservatory, all the accursed love that had consumed her during months, had led to this mean, ignoble ending! Her husband knew all and did not even beat her. And the silence around her—this silence through which trailed the endless waltz—terrified her even more than the sound of murder.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature