“ You see, M. Paul, parents are not always just. They have their favourites. But God is just, he is. The ones that are most petted and spoiled at the expense of the others, you should see what he does to them for you! And the favour of the old often brings misfortune to the young!” She sighed, looking towards the large recess from behind the curtains of which there came, at intervals, a long sobbing breath like the sleeping wail of a beaten child who has cried bitterly. A heavy step on the staircase, a loud, sweet voice saying, very softly, “It is I; don’t move,” and Jansoulet appeared. ”
Summary
Alphonse Daudet’s The Nabob, a novel of 19th-century French realism, examines the complex relationship between art, social aspiration, and personal conflict through the lives of characters such as the artist Jansoulet, the wealthy Jenkins, and the troubled Felicia.
Set against the grandeur of lavish studios, aristocratic salons, and the strict structures of Parisian society, the narrative investigates themes of artistic struggle, inherited advantage, and the damaging influence of partiality. With its emphasis on the clash between creative fervor and societal demands, the novel questions the ethical uncertainties of riches and prestige, ultimately depicting human vulnerability amidst splendor and decline.
Quotes from The Nabob (Alphonse Daudet)
“ My finest enthusiasms of the artist are engulfed there and die each time in a sigh. And then I think of marriage. A husband; children—a swarm of children, who would roll about the studio; a nest to look after for them all; the satisfaction of that physical activity which is lacking in our existences of artists; regular occupations; high spirits, songs, innocent gaieties, which would oblige you to play instead of thinking in the air, in the dark—to laugh at a wound to one’s self-love, to be only a contented mother on the day when the public should see you as a worn-out, exhausted artist. ”
“ DRAMAS OF PARIS Que l’heure est donc breve, Qu’on passe en aimant! C’est moins qu’un moment, Un peu plus qu’un reve. In the semi-obscurity of a great drawing-room filled with flowers, the seats of the furniture covered with holland, the chandeliers draped with muslin, the windows open, and the venetians lowered, Mme. Jenkins is seated at the piano reading the new song of the fashionable musician; some melodic phrases accompanying exquisite verse, a melancholy Lied, unequally divided, which seems written for the tender gravities of her voice and the disturbed state of her soul. ”
“ At the club, at the play, wherever I go I seem to see the little viper’s head of the Baroness Hemerlingue, I hear the echo of her hiss, I feel the venom of her bite. Everywhere mocking looks, conversation stopped when I appear, lying smiles, or kindness mixed with a little pity. And then the deserters, and the people who keep out of the way as at the approach of a misfortune. Look at Felicia Ruys: just as she had finished my bust she pretends that some accident, I know not what, has happened to it, in order to avoid having to send it to the Salon. ”
“ Jenkins always expanded in this factitious sun of wealth; he greeted with a “good-morning, my lads,” the powdered porter, with his wide golden scarf, the footmen in knee-breeches and livery of gold and blue, all standing to do him honour; lightly drew his finger across the bars of the large cages of monkeys full of sharp cries and capers, and, whistling under his breath, stepped quickly up the staircase of shining marble laid with a carpet as thick as the turf of a lawn, which led to the apartments of the duke. ”
“ The shopkeepers looking curiously after him, with his fine linen, his well-cut coat, and good figure, take him for some famous actor strolling on the boulevard—witness of his first triumphs—before the play begins. The wind freshens, the twilight softens the distances, and while the long road behind him still glitters, it grows darker now at every step—like the past, with its retrospections to him who looks back and regrets. It seems to Monpavon that he is walking into blackness. He shivers a little, but does not falter, and continues to walk with erect head and chest thrown out. ”
“ When Felicia saw the two young people going off together, when she had realized the fact, which they had not yet grasped themselves, that they were in love with each other, she felt as it were a crumbling all around her. Then upon her dream, now fallen to the ground in a thousand fragments, she set herself to stamp furiously. After all, he was quite right to prefer this little Aline to herself. Would an honest man ever dare to marry Mlle. Ruys? She, a home, a family—what nonsense! A harlot’s daughter you are, my dear; you must be a harlot too if you want to become anything at all. ”
“ Bernard Jansoulet, as he lay among this wreckage, his shirt opened over his chest, pale and covered with blood, was indeed a man come to the shipwreck of his life, bruised and tossed aside along with the pitiful ruins of his artificial luxury dispersed and broken up, in the whirlpool of Paris. Paul, with aching heart, contemplated the scene sadly, that face with its short nose, preserving in its inertia the savage yet kindly expression of an inoffensive creature that tried to defend itself before it died and had not time to bite. ”
“ Here, at least, the peasant-woman—who had never been able to accustom herself to this colossal fortune, come too late, from too far, and like a thunder-clap—felt herself linked to reality by the coming and going of the work-people, the letting-out and taking-in of the cattle, their slow movement to the drinking pond, all that pastoral life which woke her by the familiar call of the cocks and the sharp cries of the peacocks, and brought her down the corkscrew staircase of the pavilion before dawn. ”
“ It was restful also to that tall Suzanne Bloch, her hair dressed in the antique way, ringlets flowing over a diadem of gold; and near her, Amy Ferat, all in white like a bride and with sprigs of orange-blossom in her fluffy hair, it was restful to her also, you may be sure. A crowd of demi-mondaines were present, some very fat, with a dirty greasiness acquired in a hundred seraglios, three chins, and an air of stupidity; others absolutely green in spite of their paint, as if they had been dipped in a bath of that arsenate of copper which is called in the shops “Paris green.” ”
“ Jansoulet had but to approach the half-open door of the bed-chamber to see on the bed, raised three steps—always the platform even after death—a rigid, haughty form, a motionless and aged profile, metamorphosed by the beard’s growth of a night, quite gray; near the sloping pillow, kneeling and burying her head in the white drapery, was a woman, whose fair hair lay in rippled disorder, ready to fall beneath the shears of eternal widowhood; then a priest and a nun, gathered in this atmosphere of watch by the dead, in which are mingled the fatigue of sleepless nights and the murmurs of prayer. ”
“ What a magnificent opportunity was this first night of Revolt to show himself to the Parisians, who were believing him to have gone under, to enter the great whirlpool once more through the swing door of his box at the Nouveautes! His mother, warned by some instinct, did indeed try to hold him back. Paris now terrified her. She would have liked to carry off her child to some unknown corner of the Midi, to nurse him along with his elder brother—stricken down both of them by the great city. But he was the master. Resistance was impossible to that will of a man spoiled by wealth. ”
“ It was always a pleasure to me to modulate these Italian syllables, to give them all their sonority, and I saw clearly, from the bewildered airs of these worthy islanders, how charmed and surprised they were to be introduced in such a manner into the high society of the Continent. But with the Turks, these pashas, beys, and effendis, I had much more trouble, and I must have happened often to fall on a wrong pronunciation; for M. Jansoulet, on two separate occasions, sent word to me to pay more attention to the names that were given to me, and especially to announce in a more natural manner. ”
“ Already marks of favour had agitated members, used to the flood of gray and monotonous administrative speech. But at this cry of rage and despair against wealth, uttered by the wretch whom it was enfolding, rolling, drowning in its floods of gold, while he was struggling and calling for help from the depths of his Pactolus, the whole Chamber rose with loud applause, and outstretched hands, as if to give the unfortunate Nabob more testimonies of esteem, of which he was so desirous, and at the same time to save him from shipwreck. Jansoulet felt it ”
“ The studio stripped of her recent work, her glorious name once again thrown to the unexpected caprice of the public, Felicia’s thoughts, now without a visible object, stray in the emptiness of her heart and in the hollowness of her life—that of the woman who leaves the quiet groove—until she be engrossed in some new work. She shuts herself up and will see no one, as though she mistrusted herself. Jenkins is the only person who can help her during these attacks. ”
“ Thus, drawn close together in a small room at the top of the lonely house, in the warmth, the security of their comfortable home, the Joyeuse household seems like a nest right at the top of a lofty tree. The girls sew, read, chat a little. A leap of the lamp-flame, a crackling of fire, is what you may hear, with from time to time an exclamation from M. Joyeuse, a little removed from his small circle, lost in the shadow where he hides his anxious brow and all the extravagance of his imagination. ”
“ Mme. Jansoulet had tended them almost as holy relics, and they had come out of their coverings, with their panels, their hangings and their gold fringes, as shining and new as the day they were made. Here again Cardailhac’s ingenuity had been freely exercised. He had thought horses looked too heavy for those unreal fragilities, so he had harnessed instead eight mules, with white reins, decorated with bows and pompons and bells, and caparisoned from head to foot in that marvellous Esparto work—an art Provence has borrowed from the Moors and perfected. How could the Bey not be pleased! ”
“ Only, after all calculations have been made amid the fleeting happenings of our existence, there is always the unforeseen to be reckoned with; and that is how it came that the poor Nabob suddenly felt a wave of blood blind him, a cry of rage strangle itself in the sudden contraction of his throat. This time his mother, his old Frances, had been dragged into the infamous joke of the “Bateau de fleurs.” How well he aimed his blows, this Moessard, how well he knew the really sensitive spots in that heart, so frankly exposed! “Be quiet, Jansoulet; be quiet.” ”
“ And when he admitted that he was afraid of Paris for them, she laughed at his fears, called him provincial, full of affection for the city in which she had been born, in which she had grown to chaste young womanhood, and that gave her in return those vivacities, those natural refinements, that jesting good-humour which incline one to believe that Paris, with its rain, its fogs, its sky which is no sky, is the veritable fatherland of woman, whose nerves it heals gently and whose qualities of intelligence and patience it develops. ”
“ Genuine ladies of fashion are able to form an opinion of those painted beauties who receive so much commendation in an artificial light; the little hat, following a new mode of the Marquise de Bois l’Hery, confronts the more than modest toilette of some artist’s wife or daughter; while the model who posed for that beautiful Andromeda at the entrance, goes by victoriously, clad in too short a skirt, in wretched garments that hide her beauty beneath all the false lines of fashion. ”
“ Two or three visits to Saint-James Villa, a few evenings in the back of some box at some small theatre, behind the curtain that shelters forbidden and shameful pleasure, these were the only memories left to her by this liaison of a fortnight, this loveless intrigue wherein her pride had not found even the satisfaction of the commotion caused by a big scandal. The useless and indelible stain, the stupid fall of a woman who does not know how to walk and who is embarrassed in her rising by the ironical pity of the passers-by. ”
“ Moor. Hallo! Mme. d’Athis!” A confusion of coronets and initials, of caprices and old habits, sullied by the promiscuity of this moment, all engulfed in the horrid closet by the light of a lamp, with the noise of an intermittent gush of water, departing into oblivion by a shameful road. Suddenly Jenkins paused in his work of destruction. Two satin-gray letters trembled as he held them in his fingers. “Who is that?” asked Monpavon, noticing the unfamiliar handwriting and the Irishman’s nervous excitement. “Ah, doctor, if you want to read them all, we shall never have finished.” ”
“ Was it love at last, the great love which is so rare in an artist’s soul, incapable as that is of giving itself entirely up to the sway of sentiment, or was it perhaps simply a dream of honest bourgeoise life, well sheltered against ennui, that spiritless ennui, the precursor of storms, which she had so much reason to dread? In any case, she was herself taken in by it, and had been living for some days past in a state of delicious trouble, for love is so strong, so beautiful a thing, that its semblances, its mirages, allure and can move us as deeply as itself. ”
“ Finally, along the curbs of the footways, lost in the defile of the carriage traffic which grazes their wandering path, the orange-girls complete this peripatetic commerce, heaping up the sun-coloured fruit beneath their lanterns of red paper, crying “La Valence” amid the fog, the tumult, the excessive haste which Paris displays at the ending of its year. Ordinarily, M. Joyeuse was accustomed to make one of the busy crowd which goes and comes with the jingle of money in its pocket and parcels in every hand. ”
“ If you like, my dear boy, we will send the carriage away and return on foot,” said Jansoulet to his companion as they left Jenkins’s house. De Gery accepted with eagerness. He felt that he required to walk, to shake off in the open air the infamies and the lies of that comedy of society which had left his heart cold and oppressed, with all his life-blood driven to his temples where he could hear the swollen veins beating. ”
“ On the wide footpath were well-dressed women whose skirts mingled their rustle with the trembling of the young leaves; there was some of the pleasure here of a meeting in a drawing-room, an air of acquaintance among the passers-by, of smiles and discreet greetings in passing. And all at once Mme. Jenkins, anxious lest her features might betray her, fearing what might be thought if any one saw her rushing on so blindly, slackened her pace to the aimless gait of an afternoon walk, stopping here and there. ”
“ Among those daughters of wealthy businessmen, of Parisian lawyers or of gentlemen-farmers, a respectable and rather affectedly serious world, the well-known name of old Ruys, the respect with which at Paris an artist’s reputation is surrounded, created for Felicia a greatly envied position, rendered more brilliant still by her successes in the school-work, a genuine talent for drawing, and her beauty, that superiority which asserts its power even among young girls. ”
“ He said it in a tone so firm and calm that all the laughter ceased, and the old woman, suddenly quieted, sustained by this solid hold, still trembling a little with anger, left the palace between two respectful rows. A dignified and rustic couple, the millions of the son gilding the countrified air of the mother, like the rags of a saint enshrined in a golden chasse—they disappeared in the bright sunlight outside, in the splendour of their glittering carriage—a ferocious irony in their deep distress, a striking symbol of the terrible misery of the rich. ”
“ Issuing softly from the shadow of the room, four young heads were bent forward, fair or dark, smiling or intent, into that intimate and warm circle of light which illumined them as far as the eyes, seemed to feed the fire of their glance, to shelter them, protect them, preserve them from the black cold blowing outside, from phantoms, from snares, from miseries and terrors, from all the sinister things that a winter night in Paris brings forth in the remoteness of its quiet suburbs. ”
“ They go, but nobody can recognise the fine gentleman who entered a short time ago, in this death’s-head puppet, the head leaning on the edge of the bath, a face where the blood mingles with paint and powder, all the limbs lying in the supreme lassitude of a part played to the end—to the death of the actor. Two cuts of the razor across the magnificent chest, and all the factitious majesty has burst and resolved itself into this nameless horror, this heap of mud, of blood, of spoiled and dead flesh, where, unrecognisable, lies the man of appearances, the Marquis Louis-Marie-Agenor de Monpavon. ”
“ Beyond the Madeleine the highway of the boulevard stretched away empty, and looking bigger between two lines of soldiers with arms reversed, confining the curious to the pavements black with people, all the shops closed, and the balconies, in spite of the rain, overflowing with human beings all leaning forward in the direction of the church, as if to see a mid-Lent festival or the home-coming of victorious troops. Paris, hungry for the spectacular, constructs it indifferently out of anything, civil war as readily as the burial of a statesman. ”
“ Jansoulet, beaming, had risen in his turn, and, throwing down his serviette: “Let us go and have some coffee,” he said. A glad tumult immediately spread through the salons, vast apartments in which light, decoration, sumptuousness, were represented by gold alone. It seemed to fall from the ceiling in blinding rays, it oozed from the walls in mouldings, sashes, framings of every kind. A little of it remained on your hands if you moved a piece of furniture or opened a window; and the very hangings, dipped in this Pactolus, kept on their straight folds the rigidity, the sparkle of a metal. ”
“ Alas! the oldest are only aged some six months, the youngest barely a fortnight, and already there is in all these faces, these faces in embryo, a disappointed expression, a scowling, worn look, a suffering precocity visible in the numerous lines on those little bald foreheads, cramped by linen caps edged with poor, narrow hospital lace. What are they suffering? What diseases can they have? They have everything, everything that one can have: diseases of children and diseases of men. The fruit of vice and poverty, they bring into the world hideous phenomena of heredity at their very birth. ”
“ All the same, one must admit that Paris is a tremendously great city, for a man to be able to live thus, through fifteen, twenty years of tricks, artifice, dust thrown in people’s eyes, without everybody finding him out, and for him still to be able to make a triumphal entry into a drawing-room in the rear of his name announced loudly and repeatedly, “Monsieur le Marquis de Bois l’Hery.” ”
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