Lieder

Definition and stakes

Portrait of Josephine Preston Peabody Josephine Preston Peabody,  The Book of the Little Past

“ When grown-up people play;
But every time I sing, myself,
It sounds a different way.
And when I've sung the book all through,
And every page, around,
I stand it upside down and sing,
To see how that will sound.
I sing how all the things outside
The window look to me;
The shiny wrinkles in the road,
And then, about my Tree;
THE GREEN SINGING-BOOK
I sing about the City, too,
The noises and the wheels;
And Windows blinking in the sun;—
I sing the way it feels.
And if a Sparrow flies across,
I put him in the Song.—
I sing whatever happens in,
To make it last for long.
”
Source: Gutenberg

Portrait of Henry Osborn Taylor Henry Osborn Taylor,  The Mediaeval Mind (1911)

“ In the
fusing of melody and words into an utterance of song—at last into a strophe—music worked potently, shaping the composition of the lines, moulding them to rhythm, insisting upon sonorousness in the words, promoting their assonance and at last compelling them to rhyme so as to meet the stress, or mark the ending, of the musical periods. Thus the exigencies of melody helped to evoke the finished verse, while the words reciprocating through their vocal capabilities and through the inspiration of their meaning, aided the evolution of the melodies.
”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature