Summary

A. G. Gardiner Pebbles on the shore [by] Alpha of the plough

The memory of all the springs of the past is in their dancing plumes, and the assurance of all the springs to come. They link us up with the pageant of nature, and with the immortals of our kind—with Wordsworth watching them in "sprightly dance" by Ullswater, with Herrick finding in them the sweet image of the beauty and transience of life, with Shakespeare greeting them "in the sweet o' the year" by Avon's banks long centuries ago.
And in this sensitiveness of memory to external suggestion there is infinite variety. It is not a collective memory that is awakened, but a personal memory.
Source: Gutenberg

A. G. Gardiner Pebbles on the shore [by] Alpha of the plough

Would the producer have thought it helpful to announce a new play by a pork-butcher, or a lawyer, or a grocer, or a journalist? He certainly would not. He would have left the play to stand or fall on its merits.
Why, then, does he think that the fact that it is by a peer will bring us all crowding to his doors? You may, of course, take it as a reflection on the peerage. You may be supposed to think it such a miraculous thing that a peer should be able to write a play that you may be expected to go and see it as you would go to Barnum's to see a two-headed man or a bearded woman?
Source: Gutenberg

A. G. Gardiner Pebbles on the shore [by] Alpha of the plough

I am in a corner seat, the compartment is not crowded, the train is about to start, and for an hour and a half, while we rattle towards that haven of solitude on the hill that I have written of aforetime, I can read, or think, or smoke, or sleep, or talk, or write as I choose. I think I will write, for I am in the humour for writing. Do you know what it is to be in the humour for writing—to feel that there is a head of steam somewhere that must blow off? It isn't so much that you have something you want to say as that you must say something.
Source: Gutenberg

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