Henry Osborn Taylor

Henry Osborn Taylor

Summary

Portrait of Henry Osborn Taylor Henry Osborn Taylor,  The Mediaeval Mind (1911)

“ Love, troth, a constant spirit, honour, and whatever else is good, are never so precious as when set in a tale of love's joy and pain. Love is such a blessed thing, such a blessed striving, that no one without its teaching has worth or honour. These lovers died long ago; yet their love and troth, their life, their death, will still give troth and honour to seekers after these. Their death lives and is ever new, as we listen to the tale. Evidently, in Gottfried's mind the Tristan tale of love's almighty passion carried the thought of love as the inspiration of a noble life. ”
Source: Wikisource

Portrait of Henry Osborn Taylor Henry Osborn Taylor,  The Mediaeval Mind (1911)

“ Had it not been for the full and varied city life in which he was born and bred, the quick-eyed youth would not have had that fund of human interest and intuition which makes him so pleasant and so different from any one north of the Alps in the thirteenth century. A city boy indeed, and what a full personality! He was to be a man of human curiosity, a tireless sight-seer. His interest is universal; his human love quick enough—for those he loved; for he was no saint, although a Minorite. His detestation is vivid, illuminating; it brings the hated man before us. ”
Source: Wikisource

Portrait of Henry Osborn Taylor Henry Osborn Taylor,  The Mediaeval Mind (1911)

“ Within the compass of pagan joyfulness there had been no deeper passion than the love of beauty. That had its sensuous phases, and its far blue heights, where Plato saw the beauty of order, justice, and proportion. For the Christian, the beauty of the flesh became a veil through which he looked for the beauty of the soul. If a face testified to the beauty of holiness within, it was fair. Better the pale, drawn visages of monk and nun than the red lip too quickly smiling. ”
Source: Wikisource

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