Summary

P. L. Jacob Military and religious life in the Middle Ages and at the period of the Renaissance (1870)

It was not until the reign of Constantine that Christian edifices began to assume the attributes of size, magnificence, and majestic boldness of outline. It was then that the emperor erected basilicas in the interior of his Lateran and Vatican palaces for the first time, and consecrated to the worship of the true God those immense edifices in which art was the humble handmaid of religion and bathed itself in the ineffable splendours of the faith.
Source: Gutenberg

P. L. Jacob Military and religious life in the Middle Ages and at the period of the Renaissance (1870)

The fear of yielding to the lusts of the flesh drove the faithful into the extreme rigour of penance, but, when death had dispelled all danger, the body became an object of pious worship: it was encompassed with floods of light and clouds of incense before being committed to the earth, which had been blessed and consecrated to make it a fitting receptacle for so precious a deposit—for faith saw in imagination the splendour with which it would one day be clothed; and, to help the imagination, art placed before the gaze the ineffable visions of the Apocalypse.
Source: Gutenberg

P. L. Jacob Military and religious life in the Middle Ages and at the period of the Renaissance (1870)

The victorious invasion of William of Normandy, so fatal to the whole country, was still more so to the large towns, which were compelled to behold their own material ruin, the sequestration and confiscation of their property, the dispersion and infeudation of their inhabitants, their agriculturists and their farmers. Unable any longer to invoke the protection of an easy-natured sovereign, they were forced to bow their heads beneath the sway of strangers, lucky adventurers, bold, exacting, despotic, and cruel men, believing in no faith and obeying no law, the very dregs of French feudalism.
Source: Gutenberg

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