Edward Thomas

Edward Thomas

Summary

Portrait of Edward Thomas Edward Thomas The Heart of England

A few grey, smooth roads cross the valley.
It is January, and the predominant grass is green and shining in the sun. The rusty oaks and the farmhouse roofs glow. The bare clean hedges glitter with all their stems of olive hazel, silver oak and ash and white thorn, and blackthorn ruddy where the cattle have rubbed. A [141] lark rises and sings. A flock of linnets scatters and drops little notes like a rain of singing dew, and over all is a high blue sky, across which the west wind sets a fleet of bright white clouds to sail; into this blue sky the woods of the horizon drive their black teeth.
Source: Gutenberg

Portrait of Edward Thomas Edward Thomas The Heart of England

You may see it—on still evenings when the mist prevails over all things except the robin’s song, and makes even that more melancholy—or when the songs of many nightingales besiege, enter and possess the house and the deserted farmyard—or when the cold and entirely silent air under a purple November sky chills the blood, so that friendship and hope and purposes are all in vain as in an opiate dream—then you may see the ash-tree take heart. It has the air of one going home upon a lonely road that will not end in loneliness.
Source: Gutenberg

Portrait of Edward Thomas Edward Thomas The Heart of England

She was a tall woman and stooped at the doorway thatch: now she cannot rise to it. For every day she went many times to the sweet brook, a quarter of a mile away, rather than take the grey liquor of the pond for her cows. That is how she came to be bent like an oak branch on which children swing, or like a thorn that knows the west wind on the hill or the shore. Now she cannot carry a pail, for it would sweep the ground. She cannot see the apples in autumn until they have fallen to her feet. Her flesh seems to have assumed an animal sweetness, for her bees will cluster on the brown hands.
Source: Gutenberg

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