Francis A. Knight

Summary

Francis A. Knight In the West Country

White moths, painted boldly on the shadows, flit by like phantoms. Ghost-like, too, is the soundless flutter of a bat that, by the dark archway of the old bridge, chases the insects that hover on the stream. The long, low, monotonous call of the grasshopper-warbler among the furze bushes on the edge of the wood, is a strange sound;—the voice of a cricket, one might think, and not of a bird at all. Strange, too, is the droning note of a nightjar, rising and falling as if the bird, wheeling this way and that, were chasing moths among the trees.
Source: Gutenberg

Francis A. Knight In the West Country

To-day, on every side, the feathered woodlanders are stirring. From an old Scotch fir that towers out of the hedge-row—its dark shape showing like a shadow through the leafless boughs of the apple-trees—falls the rich music of a blackbird's song, clear and wild and flute-like. He is a noble singer; less great, indeed, than the song-thrush, but yet a master of his art. And there are those who hold that there is more beauty in the depth and richness, in the power and passion, of his few brief bars, than in all the magnificent anthem of his rival.
Source: Gutenberg

Francis A. Knight In the West Country

Or it may be merely that the impulse of the spring time rouses in his heart a memory of the long absent wanderer, just as on rough days of autumn you may hear him mock the curlew's cry because the wind is roaring like the sea.
A very real note of spring is the hum of that burly bumble-bee sailing along the hedge-row in search of some convenient hollow, some abandoned mouse-hole it may be, in which to build her nest. Her nest, not his, or theirs. She has no mate. He died in the autumn, and on her alone devolves the labour of rearing the new generation.
Source: Gutenberg

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