Alphonse Daudet,
Numa Roumestan
(1900)
“ Poor Numa was in almost as deep despair as she was. The hope of a little Roumestan, “the eldest,” who is always a great personage in Provençal families, was gone forever, destroyed by his own fault. The pale face of his wife with its resigned expression, her compressed lips and smothered sobs, nearly broke his heart—her grief was so different from his way of acting, from the coarse, superficial sensibility that he showed as he sat at the foot of his victim’s bed, saying at intervals with swimming eyes and trembling lips, “Come now, Rosalie, come now!” ”
