Summary

J. André Castaigne Fata Morgana: A Romance of Art Student Life in Paris

One night, after dinner, Phil, to please grandma, took his banjo and played the “Arkansaw Traveler.” The perfume of roses filled the tent, which was lighted dimly. The raised canvas showed a cloudless sky; the stars were rising and the crystal notes of the banjo were lost in the great silence.
“What a beautiful night!” said Ethel, “and how calm! It is like the infinite.”
“But what are we in it all?” said Phil. “In a hundred years nothing of all this will remain; a new mankind will take the place of our own. We count no more than the flower or the drop of water.”
Source: Gutenberg

J. André Castaigne Fata Morgana: A Romance of Art Student Life in Paris

Oh, what a dog’s life! How could a man like Phil live with falsehood in his heart, and never a word of excuse? She would have given him up, she would have understood! She was not made for him; so be it. Phil could not give Miss Rowrer a rival like Helia—no! He had only to ask her pardon to obtain it—a kind word, and a kiss, and good-by. But no! there was not even that. Ah, Phil, Phil; he did not even take the trouble to give her back her word!
“‘Help me!’ he cried”
Helia’s fever had passed, and her dreams were calmed.
Source: Gutenberg

J. André Castaigne Fata Morgana: A Romance of Art Student Life in Paris

Phil explained these dead things to Helia and gave them life.
“Ah,” Helia said, “what happiness it is to know!”
They were alone, half kneeling on the roof, their heads bent toward the skylight; around them Paris murmured like an ocean. They could have imagined themselves the survivors of a world destroyed—the only woman and the only man escaped from the cataclysm, while the mysterious Sphinx raised its head as if to say: “Love! for life passes as a dream!”
Phil and Helia arose in silence and came back to their oasis, while above them, in the blue sky, the doves pursued one another.
Source: Gutenberg

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