Summary

Portrait of Émile Zola Émile Zola Four Short Stories By Emile Zola

Nana meditated a bed such as had never before existed; it was to be a throne, an altar, whither Paris was to come in order to adore her sovereign nudity. It was to be all in gold and silver beaten work—it should suggest a great piece of jewelry with its golden roses climbing on a trelliswork of silver. On the headboard a band of Loves should peep forth laughing from amid the flowers, as though they were watching the voluptuous dalliance within the shadow of the bed curtains. Nana had applied to Labordette who had brought two goldsmiths to see her.
Source: Gutenberg

Portrait of Émile Zola Émile Zola Four Short Stories By Emile Zola

That day Georges had slipped into the house despite Nana’s orders to the contrary. Francois had certainly seen him pass, but the servants had now got to laugh among themselves at their good lady’s embarrassing situations. He had just slipped as far as the little drawing room when his brother’s voice stopped him, and, as one powerless to tear himself from the door, he overheard everything that went on within, the kisses, the offer of marriage. A feeling of horror froze him, and he went away in a state bordering on imbecility, feeling as though there were a great void in his brain.
Source: Gutenberg

Portrait of Émile Zola Émile Zola Four Short Stories By Emile Zola

I always let out too much when I’m in a rage.”
She began laughing. Then taking him in her arms and kissing him on the forehead:
“Good-by, baby,” she said; “it’s over, quite over between us; d’you understand? And now I’m off!”
And she left him, and he stood in the middle of the drawing room. Her last words rang like the knell of a tocsin in his ears: “It’s over, quite over!” And he thought the ground was opening beneath his feet. There was a void in his brain from which the man awaiting Nana had disappeared. Philippe alone remained there in the young woman’s bare embrace forever and ever.
Source: Gutenberg

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