Sarah Bernhardt

Sarah Bernhardt

Summary

Portrait of Sarah Bernhardt Sarah Bernhardt Memories of My Life

The young artistes who come there talk of to-morrow.
In short, my mind never goes back to those few years of my life without a childish emotion, without thinking of laughter and without a dilation of the nostrils, inhaling again the odor of little ordinary bouquets, clumsily tied up, bouquets which had all the freshness of flowers that grow in the open air, flowers that were the offerings of the hearts of twenty summers, little bouquets paid for out of the purses of students.
I would not take anything away with me from the Odéon. I left the furniture of my dressing-room to a young artiste.
Source: Gutenberg

Portrait of Sarah Bernhardt Sarah Bernhardt Memories of My Life

He was so handsome that night, with his wide forehead, which seemed to retain the light, his thick, silvery fleece of hair, and his laughing, luminous eyes.
Not daring to fling myself in Victor Hugo’s arms, I fell into Girardin’s, the sure friend of my first steps, and burst into tears. He took me aside in my dressing-room. “You must not let yourself be intoxicated with this great success, now,” he said. “There must be no more risky jumps, now that you are crowned with laurels. You will have to be more yielding, more docile, more sociable.”
Source: Gutenberg

Portrait of Sarah Bernhardt Sarah Bernhardt Memories of My Life

I RETURN TO THE COMÉDIE FRANÇAISE
I left the Odéon with very great regret, for I adored and still adore that theater. It always seems as though in itself it were a little provincial town. Its hospitable arcades, under which so many poor old savants take the air and are sheltered at the same time from the sun; the large flags all round, between the crevices of which microscopic yellow grass grows; its tall pillars, blackened by time, by hands, and by the dirt from the road; the uninterrupted noise going on all around, the departure of the omnibuses, like the departure of the old coaches
Source: Gutenberg

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