Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — More on the Flower Pot Theme (1923)

And across the surface of the flower-pot was a broad splash of white paint.
“You were saying . . . ?” said Psmith courteously.
Eve did not reply. She hardly heard him. Her mind was in a confused whirl. A monstrous suspicion was forming itself in her brain.
“You are admiring the shrub?” said Psmith. “I found it lying about up at the castle this morning and pinched it. I thought it would add a touch of colour to the place.”
Eve, looking at him keenly as his gaze shifted to the flower-pot, told herself that her suspicion had been absurd. Surely this blandness could not be a cloak for guilt.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — More on the Flower Pot Theme (1923)

By the time they reached the little clearing and came in sight of the squat, shed-like building with its funny windows and stained door, her spirits, always mercurial, had risen to a point where she found herself almost able to forget her troubles.
“What a horrible-looking place!” she exclaimed. “Whatever did you want it for?”
“Purely as a nook,” said Psmith, taking out his key. “You know how the man of sensibility and refinement needs a nook. In this rushing age it is imperative that the thinker shall have a place, however humble, where he can be alone.”
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — More on the Flower Pot Theme (1923)

Eve gave a little shiver of distaste.
“I understand your silent criticism,” said Psmith. “You are saying to yourself that plain living and high thinking is evidently the ideal of the gamekeepers on the Blandings estate. They are strong, rugged men who care little for the refinements of interior decoration. But shall we blame them? If I had to spend most of the day and night chivvying poachers and keeping an eye on the local rabbits, I imagine that in my off-hours practically anything with a roof would satisfy me.
Source: Wikisource

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