Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — 7. Baxter Suspects (1923)

THE five o’clock train, having given itself a spasmodic jerk, began to move slowly out of Paddington Station. The platform past which it was gliding was crowded with a number of the fauna always to be seen at railway stations at such moments, but in their ranks there was no sign of Mr. Ralston McTodd: and Psmith, as he sat opposite Lord Emsworth in a corner seat of a first-class compartment, felt that genial glow of satisfaction which comes to the man who has successfully taken a chance.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — 7. Baxter Suspects (1923)

Flowers are very beautiful by night.”
“Indeed, yes,” said Psmith. “And also by day. When I am surrounded by flowers, a sort of divine peace floods over me, and the rough, harsh world seems far away. I feel soothed, tranquil. I sometimes think, Miss Peavey, that flowers must be the souls of little children who have died in their innocence.”
“What a beautiful thought, Mr. McTodd!” exclaimed Miss Peavey rapturously.
“Yes,” agreed Psmith. “Don’t pinch it. It’s copyright.”
The darkness swallowed them up. Lady Constance turned to the Efficient Baxter, who was brooding with furrowed brow.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — 7. Baxter Suspects (1923)

Oh, most,” said his lordship, looking puzzled. He examined Psmith across the compartment with something of the peering curiosity which he would have bestowed upon a new and unclassified shrub. “Most extraordinary!” he murmured. “I trust, my dear fellow, you will not think me personal, but, do you know, nobody would imagine that you were a poet. You don’t look like a poet, and, dash it, you don’t talk like a poet.”
“How should a poet talk?”
“Well . . .” Lord Emsworth considered the point. “Well, Miss Peavey . . . But of course you don’t know Miss Peavey . . .
Source: Wikisource

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