Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — Almost Entirely About Flower Pots (1923)

One of the disadvantages of being a man of action, impervious to the softer emotions, is that in moments of trial the beauties of Nature are powerless to soothe the anguished heart. Had Baxter been of a dreamy and poetic temperament he might now have been drawing all sorts of balm from the loveliness of his surroundings. The air was full of the scent of growing things; strange, shy creatures came and went about him as he walked; down in the woods a nightingale had begun to sing; and there was something grandly majestic in the huge bulk of the castle as it towered against the sky.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — Almost Entirely About Flower Pots (1923)

The quest for buried treasure is one which right through the ages has exercised an irresistible spell over humanity. Confronted with a spot where buried treasure may lurk, men do not stand upon the order of their digging; they go at it with both hands. No solicitude for his employer’s geraniums came to hamper Rupert Baxter’s researches. To grasp the first flower-pot and tilt out its contents was with him the work of a moment.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — Almost Entirely About Flower Pots (1923)

Eve paused breathlessly. So terrific had the noise sounded to her guilty ears that every moment she was expecting doors to open all over the castle, belching forth shouting men with pistols. But as nothing happened, courage returned to her, and she resumed her journey. She found the great door, ran her fingers along its surface, and drew the chain. The shooting back of the bolts occupied but another instant, and then she was out on the terrace running her hardest towards the row of flower-pots.
Up on his balcony, meanwhile, the Efficient Baxter was stopping, looking, and listening.
Source: Wikisource

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