Summary

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — Dark Plottings at Blandings Castle (1923)

AT the open window of the great library of Blandings Castle, drooping like a wet sock, as was his habit when he had nothing to prop his spine against, the Earl of Emsworth, that amiable and boneheaded peer, stood gazing out over his domain.
It was a lovely morning and the air was fragrant with gentle summer scents. Yet in his lordship’s pale blue eyes there was a look of melancholy. His brow was furrowed, his mouth peevish. And this was all the more strange in that he was normally as happy as only a fluffy-minded man with excellent health and a large income can be.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — Dark Plottings at Blandings Castle (1923)

The contrast between Lord Emsworth and the new-comer, as they stood there, was striking, almost dramatic. Lord Emsworth was so acutely spectacle-less; Rupert Baxter, his secretary, so pronouncedly spectacled. It was his spectacles that struck you first as you saw the man. They gleamed efficiently at you. If you had a guilty conscience, they pierced you through and through; and even if your conscience was one hundred per cent. pure you could not ignore them. “Here,” you said to yourself, “is an efficient young man in spectacles.”
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse Leave It to Psmith — Dark Plottings at Blandings Castle (1923)

Of all those who had entered the library that morning the new arrival was the best worth looking at. Lord Emsworth was tall and lean and scraggy; Rupert Baxter thick-set and handicapped by that vaguely grubby appearance which is presented by swarthy young men of bad complexion; and even Beach, though dignified, and Freddie, though slim, would never have got far in a beauty competition. But Lady Constance Keeble really took the eye. She was a strikingly handsome woman in the middle forties.
Source: Wikisource

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