Summary

Portrait of P. G. Wodehouse P. G. Wodehouse The Prince and Betty — XVIII. THE HIGHFIELD (1912)

When the faint applause had ceased, Smith rose to his feet.
"Oh, you Kid!" he observed encouragingly. "I should not like Comrade Brady," he said, reseating himself, "to think that he has no friend but his poor old mother, as occurred on a previous occasion."
The burly gentleman, followed by the two armies of assistants, dropped down from the ring, and the gong sounded.
Mr. Fisher sprang from his corner as if somebody had touched a spring. He seemed to be of the opinion that if you are a cyclone, it is never too soon to begin behaving like one.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Prince and Betty — XVIII. THE HIGHFIELD (1912)

Several times when the Kid appeared well out of distance there was a thud as a brown glove ripped in over his guard and jerked his head back. But always he kept boring in, delivering an occasional right to the body with the pleased smile of an infant destroying a Noah's ark with a tack-hammer. Despite these efforts, however, he was plainly getting all the worst of it. Energetic Mr. Fisher, relying on his long left, was putting in three blows to his one. When the gong sounded, ending the first round, the house was practically solid for the Cyclone. Whoops and yells rose from everywhere.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Prince and Betty — XVIII. THE HIGHFIELD (1912)

So much so that in the last of the series a soured sportsman on one of the benches near the roof began in satirical mood to whistle the "Merry Widow Waltz." It was here that the red-jerseyed thinker for the first and last time came out of his meditative trance. He leaned over the ropes, and spoke, without heat, but firmly:
"If that guy whistling back up yonder thinks he can do better than these boys, he can come right down into the ring."
Source: Wikisource

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