Summary

Portrait of Perceval Gibbon Perceval Gibbon Vrouw Grobelaar and Her Leading Cases… (1906)

But Stoffel walked straight in, over his knees and up to his waist, and climbed the bank to the wall of the stad.
"Inside the Kafirs were dancing. Some were tricked out with ornaments and skins and feathers; some were mother-naked and painted all over their bodies. And there was one, a gaunt figure of horror, with his face streaked to the likeness of a skull, and bones hanging clattering all about him. They capered and danced round the fire like devils in hell, and behind them the men with the drums kept up their noise and seemed to drive the dancers to madness.
Source: Wikisource

Portrait of Perceval Gibbon Perceval Gibbon Vrouw Grobelaar and Her Leading Cases… (1906)

The Vrouw Grobelaar shook a doubtful head. "Her grandfather was a bijwohner," she said. "Pas op! or she will one day go back to her own people and shame you."
The misguided Frikkie saw fit to laugh at this.
"Oh, you may laugh! You may laugh, and laugh, until your time comes for weeping. I tell you, she will one day return to her own people, bijwohners and rascals all of them, as Stoffel Mostert's wife did."
Source: Wikisource

Portrait of Perceval Gibbon Perceval Gibbon Vrouw Grobelaar and Her Leading Cases… (1906)

The newcomer was naked as a babe new born; wild as a beast of the field; lithe as a serpent; and crazy to savageness with the fire and the drums.
"Madly she danced, bending forwards and backwards, casting her bare arms above her, while the horror who danced with her writhed and screamed like a soul in pain.
"Stoffel, behind the wall, stood stunned and bound—for here he saw his wife. He thought nothing, said nothing
Source: Wikisource

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