“ A blue-black Kafir, with two yellow Hottentot drivers, man and boy, was harnessing, in the most primitive mode, four horses on to the six oxen attached to the wagon; and the horses were flattening their ears, and otherwise resenting the incongruity. Meantime a fourth figure, a colossal young Kafir woman, looked on superior with folded arms, like a sable Juno looking down with that absolute composure upon the struggles of man and other animals, which Lucretius and his master Epicurus assigned to the Divine nature. ”
Kafir
Definition and stakes
The term "Kafir," historically used in South African literature to denote non-Muslim indigenous groups, appears in 19th-century texts as a multifaceted symbol of cultural and social dynamics. Authors like Bertram Mitford depict Kafirs in vivid, often conflict-driven scenes, such as wartime rituals or confrontations, emphasizing their physicality and endurance.
Charles Reade, in contrast, uses poetic imagery to underscore their mysterious presence, while Anthony Trollope explores their intellectual potential through education. Lady Barker provides a more anthropological perspective, describing daily customs and physical traits. These varied portrayals—ranging from martial valor to everyday practices—reflect the era’s complex engagement with colonial identity, illustrating how the term encapsulated both Otherness and shared humanity.
Quotes about “Kafir”
Bertram Mitford, 'Tween Snow and Fire: A Tale of the Last Kafir War
“ At length even the very bones are picked clean, and thrown over the feasters’ shoulders to the dogs. Then voices are raised and once more the kraal becomes a scene of wild and excited stir. Roused by a copious indulgence in an unwonted stimulant, the Kafirs leap to their feet. Weapons are brandished, and the firelight glows upon assegai points and rolling eyeballs. A wild war-song rises upon the air; then falling into circular formation, the whole gathering of excited warriors join in, beating time with their feet—clashing the hefts of their weapons together. ”
“ Van Zyl had high hopes of laying his hands on the mysterious Kafir who had committed the crime of being incomprehensible to nervous kraals, whose occupants had a way of shaking off wonder and alarm by taking exercise with their weapons among the cattle of their neighbors. The Sanatorium, under his orders, was being watched for any indications of messages passing between Margaret and the Kafir, and the dusty, armed men came and went continually, a succession of drilled shoulders, tanned, unconcerned faces, and expressionless eyes puckered against the sun's stare. ”
