Carving

Definition and stakes

John J. Holtzapffel,  A Manual of Wood Carving

“ I have observed that many writers on the art treat carving in high relief, or in the round, as if the first effect in it must necessarily be a human head or figure, that is to say, the most difficult of all objects. But he who can cut out a wooden shoe, or a rabbit, or a fish, or the simplest object, on a large scale, on all its sides, will, if he repeats this till he can do it easily, have mastered the greatest difficulty which alarms beginners, that of blocking out from all sides. ”
Source: Gutenberg

George Jack,  Wood-Carving: Design and Workmanship

“ Fig. 63 is an example to [186] this effect. The little jester just emerging from a flower, one of the side-pieces to a Miserere seat carving, is undoubtedly a true portrait, carved without the slightest attempt at exaggeration. The quiet humor which it evinces required only sympathy to perceive and skill to portray on the part of its carver. He had nothing to invent in the common acceptation of the word. The carving of the mendicant, which comes on the other side, is equally vivid in its truth to nature. ”
Source: Gutenberg

Portrait of Mary J. Lincoln Mary J. Lincoln,  Carving and Serving (1906)

“ There often seems to be an irresistible fascination about carving which silences all tongues and draws all eyes to the head of the table. The most skilful carver will sometimes fail if conscious of being watched. With a little tact the hostess can easily engage the attention of her guests, that the carver may not be annoyed. ”
Source: Gutenberg

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