Summary

Rev. Thomas Perkins Bell's Cathedrals: The Cathedral Church of Saint Albans

Many modern restoring architects strongly object to plaster, and many a rough wall both external and internal, which the builder never intended to be seen, has been scraped and pointed under the idea that plaster is a sham, which it is not, unless indented lines are drawn on it to make it appear like blocks of ashlar. The rich red of the Roman brick in St. Albans walls and towers is so delightful, that perhaps we may think Scott did well in abandoning his idea of replastering them
Source: Gutenberg

Rev. Thomas Perkins Bell's Cathedrals: The Cathedral Church of Saint Albans

Most of those who visit St. Albans for the first time feel a sense of disappointment. The church has no far-projecting buttresses to give light and shade, no flying buttresses or pinnacles like those that lend such a charm to most French and many English churches. All is severely plain, partly on [Pg 24] account of the very early time at which the greater part of the existing church was built, partly on account of the material used for its walls. Abbot Paul of Caen, who designed it, trusted entirely to mass and proportion for the effect he wished to produce.
Source: Gutenberg

Rev. Thomas Perkins Bell's Cathedrals: The Cathedral Church of Saint Albans

The celebration of Mass at an altar of the Blessed Virgin was just over, a great multitude of people, men and women, still being in the church, when two of the Norman piers of the main arcade on the south side fell outwards one after the other with a great crash, and about the space of an hour afterwards the wooden roof of the nave which had been supported by these columns also fell; the piers themselves had crushed the south wall of the aisle and the cloisters, so that a complete wreck was made of the south-eastern part of the church westward of the tower.
Source: Gutenberg

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