Summary

A. Hugh Fisher Bell's Cathedrals: The Cathedral Church of Hereford

CHAPTER II. - THE CATHEDRAL - EXTERIOR. Artistic unity is certainly not the chief characteristic of Hereford Cathedral, but it is doubtful whether the absence of that quality dear to a purist is not more than compensated for by the fine examples of different periods, which make the massive pile as a whole a valuable record of historical progress. And surely it is more fitting that a great ecclesiastical edifice should grow with the successive ages it outlasts, and bear about it architectural evidence of every epoch through which it has passed.
Source: Gutenberg

A. Hugh Fisher Bell's Cathedrals: The Cathedral Church of Hereford

Beholding the exquisite grace of this tomb we are reminded of the more elaborate and equally beautiful chantry of the same period (1262) in the south choir transept of Salisbury to Bishop Giles de Bridport.
Over the effigy, which is a most interesting example of minute ecclesiastical costume, delicate shafts of Purbeck marble support a gabled canopy, each gable of which is surmounted by a finial in the form of a floriated cross.
Source: Gutenberg

A. Hugh Fisher Bell's Cathedrals: The Cathedral Church of Hereford

The whole space is now completely open from the floor of the Cathedral to the wooden floor of the bell-chamber, which is painted underneath in blue and gold. From this floor hangs, the handsome corona of wrought iron.
Before Mr. Cottingham's restoration was commenced in 1843, however, the whole appearance of the central tower was different, and the beautiful lantern with its many shafts was hidden from view by a vault of the fifteenth century, which rose above the great arches and completely concealed the upper portion of the tower.
Source: Gutenberg

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