H. Claiborne Dixon

Summary

H. Claiborne Dixon The Abbeys of Great Britain

From the graceful pointed arches, dividing the nave from the aisles, and surmounted by the triforium and clerestory, the eye falls on the choir, with its magnificent stone screen, and beyond this again to the dim and apsidal east end. The loftiness of the building, the fine triforium, the harmony of work in the nave (which took over 200 years to build) , will deeply impress the beholder.
Though the plan of the church is French, the whole actual structure is an example of English Gothic work, of which the nation has every right to be proud.
Source: Gutenberg

H. Claiborne Dixon The Abbeys of Great Britain

A level piece of land, watered by the river Skell, extends immediately beyond the ruins, but in all directions, green slopes, and gentle, leafy eminences meet the eye, while in the far distance the Yorkshire wolds form a dark and effective background to the grey stone of the picturesque ruins. The skeleton of the lofty northern tower gives a sense of completeness to the ruins, and helps to create the illusion, when viewing the abbey from a distance, that the edifice has suffered but little from the ravages of time.
Source: Gutenberg

H. Claiborne Dixon The Abbeys of Great Britain

The history of York Abbey is heartbreaking to lovers of art—for from every standpoint St Mary’s church stood as a perfect type of English work. How few people realise that within a few hundred yards of the world-famed minster are the remains of what was architecturally a far more glorious structure, and which, though not so great in length, possessed more beauty of workmanship than the venerable minster. English Gothic was at the height of its perfection{40} when, in 1270, Abbot Simon of Warwick rebuilt the Abbey.
Source: Gutenberg

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