David MacGibbon

“ The triforium openings of the nave, although not without great vigour, are perhaps the most rudely executed features in the whole building. The jamb and arch mouldings accommodate themselves to each other in an awkward manner, and the fitting in of the uncouth trefoil tracery is quite a contrast to the fine finishing of the clerestory above. It is not easy to account for the careless work in the triforium, as the upper part of the nave appears to have been all executed about one period. The coarse workmanship is much more striking in the building than can be shown by drawings on a small scale. ”

“ We have no cathedrals in Scotland which can vie with Salisbury, Lincoln, or York in size and magnificence, or in the possession of double transepts. The Scottish cathedrals and abbeys, however, were, for the most part, complete in all departments, having choir and nave with side aisles (and, in the case of Elgin Cathedral, with double aisles to the nave) ; a presbytery of one or two bays without aisles, but with large windows on three sides; well-marked transepts with eastern aisle; generally a large central tower over the crossing, and frequently two western and other towers. ”

“ What we desire to insist on is not that good architecture is incompatible with structures roofed with timber, or any other material, but that the fundamental principles of Gothic spring from the development of an arcuated style, and that that principle has been only fully and logically carried out in Northern France. ”

“ To the south of the sacristy was the chapter house, which also occupied its normal position. Just enough remains to enable it to be identified, viz., the northmost of the usual three west openings to the cloister (Fig. 641) , with the jamb and springing of the central opening, or as much of it as can be seen for the modern walls that are built up against it. This fragment, even in its mutilated state, is a fine example of first pointed work. The inner order of the arch mouldings has fallen away, and otherwise the work has been greatly destroyed, its beauty not having been appreciated. ”

“ Even in our finest structures the Romanesque or Norman influence continues to prevail. A large expanse of heavy walling, with small openings, is not unusual. In almost no building are the solid side walls omitted and light tracery substituted between the main supporting piers, as is the case in the best Gothic in France. The broad masses of masonry in the triforium and clerestory of the churches at Linlithgow and Haddington may be cited as examples of the absence of the Gothic spirit. ”

“ The position of Gothic in England being as described, it is only natural to find in the structures of the leading periods of the style in Scotland, which shine by a light borrowed from England, a similar and even greater departure from the main ideas which actuated the architects of France. The same defects occur here as in England—the frequent use of the wooden roof for wide spans being common to both countries, and producing similar results in each. The wooden roof led, from the principles of its structure, to changes and peculiarities in the design throughout. ”

“ The first building which illustrates the Scottish decorated period is the Abbey of Sweetheart in Dumfriesshire. This edifice was probably begun about the time when hostilities broke out between England and Scotland, and is intimately associated with the name of Baliol. What length the works may have gone when stopped by the war cannot now be ascertained, but the original design in the early decorated style has to all appearance been carried out when building was resumed. The large traceried windows and the details of the nave arcade and clerestory all point to the decorated period. ”

“ The island appears to have been inhabited up to the twelfth century by a Columban hermit. Fordun narrates that the abbey owes its foundation to Alexander I., who, in 1123, was driven ashore on the island by a storm, where he and his followers were maintained for three days by the hermit who then made Inchcolm his retreat, and who divided with them his scanty fare of shellfish and the milk of one cow. In recognition of his safe delivery, Alexander founded and endowed a monastery, and brought to it Augustinian Canons from the abbey he had established at Scone. ”

“ No building in Scotland affords such an extensive and almost inexhaustible field for minute investigation and enjoyment of detail as this. Whether we consider the great variety of the beautifully sculptured figures of monks and angels playing on musical instruments (Fig. 796) , or displaying “the scrolls which teach us to live and die,” or turn to the elaborate canopies and beautiful pinnacles of the buttresses (see Figs. 769 and 778) , or examine the rich variety of foliage and other sculptures on the capitals of the nave and the doorway and arches of the cloisters ”

“ The light from the small oriel over the arch of the porch is not good. The room over the south transept is provided with a large fireplace, and may have been used as a kitchen; that over the north transept is empty and bare. The south porch, with its picturesque upper oriel and stair turret (Fig. 863) , is a very interesting part of the edifice. The doorway has good mouldings and bold enrichment in the arch, and the corbelled oriel is a peculiar adjunct to the church. A similar one existed at St. Giles’, Edinburgh. ”

“ The Scottish churches are comparatively low in the vaulting; they do not exhibit the soaring ambition of those of France, but are, like the churches of the sister country, comparatively moderate in height. The buttresses are simple and plain, and flying buttresses and pinnacles are occasionally used. The caps are round on plan, and have foliage founded on that of the early first pointed style in England.
The windows are almost always of the lancet form, several being often grouped together, and some incipient forms of tracery are attempted, as at Dunblane and Glasgow Cathedrals. ”

“ Muir has no doubt about the doorway being of “late transition work, belonging, apparently, to that precise period in the progress of the art when the already softened features of the Normans were beginning to merge altogether into the still more flexible and varied forms of the first pointed style.” This opinion is confirmed by all the features of the doorway. The bold foliaged caps on each side (of which the detached shafts are gone) are undoubted proofs of the genuine nature of the work. This doorway could never have been produced in later times. ”

“ The ribs at St. Monans are arranged in a rather singular manner. There is a well-marked ridge rib, and there are also transverse ridge ribs; but the latter stop at the point where the tiercerons meet them; and from that point the transverse ridge ribs slope down to the apex of the windows, where they are received by a small corbel (Fig. 875) . The tiercerons are also irregularly placed; they do not spring, like the other ribs, from the cap of the vaulting shaft, but die away into the wall some way up the wall rib. These peculiarities have the appearance of late and imperfect workmanship. ”

“ The choir and transept, although still retaining a few reminiscences of the transition in the round arches interspersed among the pointed arches, are essentially first pointed in style. The retention of the round arch here, as elsewhere in Scotland, is a common feature throughout the whole course of Gothic art. In the west doorway, and also in the gallery over it, there are distinct elements of transition work; but the external and internal windows of the gallery, and the main features of the towers, are decidedly first pointed in style. ”

“ The design of the interior of the choir (Figs. 890 and 891) comprises in each bay a main arcade, resting on simple clustered piers of rather diminutive height, having bases and caps, the mouldings and foliage of which clearly belong to the middle pointed or decorated period. There is no triforium; but the arches of the main arcade being large and lofty, comparatively little plain wall space is left between them and the string course, but the wall space below the clerestory windows is plain and heavy. The latter windows are pointed and filled with simple tracery. ”

“ The tracery of the windows was of the same geometric or decorated style as that of the choir. The foundations of the west end of the church are quite distinct, but the foundations on the north side of the nave seem to have belonged to later buildings, as they do not harmonise with the design of the church.
The domestic wing has already been noticed. The cellars of the basement enter from the courtyard. Some of these have ambries in the walls. An octagonal turret, about the centre, contained the entrance doorway and a wheel stair to the upper floor. ”

“ It is evident that a parapet has been intended at the gable of the south transept, where there is a door for access to the parapet walk (see Fig. 874) . The peculiar character of this transept is remarkable. The two small round-headed windows, with their deep recess, and the great expanse of dead wall above them, must certainly be considered as of late design.
The stunted style of the square tower (see Figs. 871 and 873) , which just rises above the roofs, is quite in keeping with the Scottish towers of the fifteenth century. ”

“ The principal arch is semicircular in form, a peculiarity of common occurrence at all periods in this country. It is very richly ornamented with running foliage and small shafts and mouldings, and the inner arch is enriched with a large traceried border, elaborately foiled and cusped, while the outer label is decorated with carved crockets, and is carried up with an ogee curve to a large foliaged finial on top. The sides are bounded by buttresses of light and simple form, finished with crocketed finials, and a bold cornice, enriched with leaf ornaments, runs along the top. ”

“ There can scarcely be any question as to the Gothic style having been imported into, and not being native to, this country. We have already seen that the Norman style was gradually introduced from England, and was afterwards superseded by the transition style. The buildings of the first pointed period also show unmistakable indications of their design having been brought from England, [1] while those of the middle pointed period, although clearly allied in style to English examples, exhibit in their details a few signs of other influences. ”

“ Honeyman, a portion of the lower church, situated at its south-west angle, and extending from the transept eastwards to the third buttress of the choir, and including one bay and a half, shows some differences in its style of architecture from the remainder, and may be regarded as of the transition style, and may thus be of the date of Bishop Joceline; while the remainder of the lower church and the whole of the choir are built in the first pointed style, and cannot be earlier than the second quarter of the thirteenth century. ”

“ Although many of our Scottish edifices contain much beautiful work, and all are full of interest, it must be admitted that even the best examples of Gothic in this country cannot claim to give full expression to the fundamental principles of the Gothic style as developed in its native home, the Royal Domain of France. ”

“ Lord Bute goes on to say—“My impression is, that the ‘new chamber’ is that afterwards called the senzie chamber; several priors and bishops are mentioned as having died ‘in the prior’s chamber,’ but that Halderston rebuilt the eastern chamber, erecting a fine house there, and also rebuilding some rather decayed old oratory on a finer scale [decentiori] . He was the first who obtained for the priors the use of the pastoral insignia—viz., the mitre, staff, and ring. ‘He strikingly increased for their glory the pomp of divine service, at the celebration of the mass of our lady in her chapel. ”

“ Paisley Abbey, in Renfrewshire, and Crosraguel and Kilwinning Abbeys, in Ayrshire, were also greatly injured during the contest with England. Jedburgh was likewise much damaged in the Border warfare, and Holyrood and Arbroath Abbeys show signs of having required restorations in the fifteenth century.
When all the adverse circumstances of the country during the fourteenth century are considered, it is not astonishing to find that examples of the decorated style which prevailed in England at that time are rare in Scotland. ”

“ When the kingdom became settled, after the War of Independence, King Robert granted a charter to the abbey, confirming the endowments of Earl Duncan; and in 1329-30, gifts from the royal purse, for the repair of the monastery, are noted in the Exchequer Rolls. The king was lavish in benefactions to the abbey. In 1324 he presented it with lands, and, as a mark of special favour, he erected the domains of the abbey into a barony. Shortly after the accession of David II. the abbot received the king’s penny for three years (amounting to £100, 1s. 10d.) to assist him in the repair of the buildings. ”