Summary

Percy Keese Fitzhugh Tom Slade : Boy Scout of the Moving Pictures

He thought it was little less than criminal that the son of Bill Slade should be wandering over the face of the earth when he might be legally placed in a dormitory, eating his three meals a day in a white-washed corridor.
For Mr. Ellsworth, John Temple had only contempt. He looked down upon him as the man without imagination always looks down upon the man with imagination. Meanwhile the new subtle spirit was working in Tom Slade and the capitalist had neither the time nor the interest to stoop and watch the wonderful transformation which was going on.
Source: Gutenberg

Percy Keese Fitzhugh Tom Slade : Boy Scout of the Moving Pictures

Ellsworth, “he looked like a martyr.”
“Whenever you see a picture of a scout,” said Roy, “it always shows what a scout can do with his hands and feet; he’s tracking or signalling or something like that. There was a picture that shows the other side of it. You never see those pictures in the books. Cracky, but I’d like to have gotten a snap-shot of him just as he stood there with his mouth set like the jaws of a trap, his eyes ten miles away and his hand clutching that battered old Handbook.”
Source: Gutenberg

Percy Keese Fitzhugh Tom Slade : Boy Scout of the Moving Pictures

In the still hour of midnight the enterprising Silver Foxes emerged in spectral silence from their lair and the battle-cry (or rather, whisper) was “Revenge,” pronounced by Roy as if it had a dozen rattling R’s at the beginning of it. Every boy was keyed to the highest pitch of excitement.
The Ravenstent was a makeshift affair of their own manufacture and when its sides were not up it was more of a pavilion than a tent: the Ravens believed in fresh air. There were two forked uprights and across these was laid the ridgepole.
Source: Gutenberg

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