Summary

Phil Robinson Under the Sun — My Wife’s Birds (1882)

A jar that holds spills is his usual resort, and, perched on it, he exercises himself in the harmless practice of pulling out the spills. He has never succeeded, but this does not damp his industry. For groundsel he has as great a partiality as the bullfinch, but he waits for his share till it is put in his cage, and then only goes in at his leisure. The bath is a passion with him, and his energy in the water fills the bullfinch — who more often makes believe than really bathes — with such amazement, that while the flurry and splash is going on he watches the canary with all his eyes.
Source: Wikisource

Phil Robinson Under the Sun — My Wife’s Birds (1882)

The canary sings beautifully, not with the student note that in the trained bird makes a room uninhabitable, but a soft, untutored song that nature whispered to him bar by bar, and so sweet is it that the matter-of-fact bullfinch always listens with attention, until, remembering his own powers, he settles down in a ball of feathers on some favorite vase, and chuckles obstinately through a rustic lay.
Source: Wikisource

Phil Robinson Under the Sun — My Wife’s Birds (1882)

Tiny, in the mean time, had disappeared into the scullery under the sink, and to the last day of the parrot’s life, whenever the dog heard the parrot scream, it used to make for the same spot. And as the parrot was mostly screeching all day, the dog pretty well lived under the sink. But the parrot died at last, poor beast.
The few feathers it had on must have had something to do with it, I fancy. If I were a bird, I know, and had so few feathers, I should die too. It does not seem much worth living with so few on. One could hardly call one’s self a bird.
Source: Wikisource

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