Rafael Sabatini

Rafael Sabatini

Summary

Portrait of Rafael Sabatini Rafael Sabatini The Fool's Love Story (1899)

It is de Savignon's turn to tremble now, and as a great burst of laughter greets the jester's sally, his complexion is of a greyish tint and his teeth are clenched in anger, noting which, Kuoni continues pitilessly:
"Do you not see the humour of it, my lord? Why look so glum? Bah! You weary me; there is no more wit in your soul than milk in an oyster!"
And with an easy laugh which contains almost a ring of contempt, the jester moves away to let others feel the sting of his tongue, from which none, save the King, are sacred.
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Fool's Love Story (1899)

One by one, they pass out after the King, and then, when the door has closed upon the last of them, a head peeps forth from the rich damask drapery that curtains one of the windows, and a pair of dark eyes hastily survey the room: the next instant the curtains are parted and Kuoni von Stocken steps forth.
There is a look of fierce, almost fiendish exultation on his swart face, and the low mocking laugh that bursts from his thin lips can be likened to nothing save the chuckle of the Tempter in his hour of victory.
"So, my lord of Savignon, you have been meddling in politics, eh?"
Source: Wikisource

Portrait of Rafael Sabatini Rafael Sabatini The Fool's Love Story (1899)

But it is not his dagger alone that is ready to do murder. Ugly thoughts are running in Kuoni's mind, and one night when de Savignon sits, easy in spirit for the while, telling the lady Louisa something that he has already recited to her upon several former occasions, he little dreams that from the curtains at his back two great lustrous eyes are watching them, and that a nervous hand is gripping a keen Italian blade. Did he but know how near at hand is death, his laugh would be less gay, his manner less unconcerned, his mind less easy.
Source: Wikisource

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